Wednesday, February 11, 2009

Loving Faulkner -- Fears Subsided



Okay. So I went to Faulkner with preconceived notions about his difficult and highfalutin writing style. I repent of my forgone conclusions, and can say that I have been converted. I like Faulkner. No, perhaps its love --a more appropriate sentiment as we prepare for the Valentine's Holiday. I am truly delighted to say that thus far, I am in that "cannot put it down" moment with As I Lay Dying .


I have cast my fears aside and jumped into this novel, with confidence and dedication and it has been worth it thus far! And as a reader commented, there are laughs to be had in this novel that traces a families journey to bury their mother in her hometown --but there is also anguish, unfulfilled hopes, incongruous, and a captivating desperateness which emerges in a lot of Black literature set in the South (See Jean Toomer's Cane).

Faulkner knows language, which will come to know one's surprise that his has read his work. What I find fascinating and am learning with each chapter of this book is how nibble and agile word use literary fiction can be. As the cliche goes, the sky is the limit and no senses are out of bounds. This book appeals to your sense of sight , hearing, taste and smell:

"There is a little daylight up here still, of color of sulfur matches".

"The sun had gone down behind a bank of a black cloud like a top heavy mountain range, like a load of cinders dumped over there, and there is no wind."


The writing simply takes your breath away. I once had a professor explain to me the difference between high literature and low fiction. Thus far, my Faulkner experience is providing me with everything that draws the distinction between the two. His flexibility to jump between internal and external dialogue, and shift points of view is genius. The masculine and the feminine voices are distinct and natural---the female characters being more emotive and tied to the people around them, while the male characters are largely tied to the earth, which they work. Faulkner is a very intentional author, who makes you think and never misses a opportunity to stun the reader with equal parts simplicity and complexity.

The use of vernacular may present challenges to some readers, but reading out loud alleviates any initial confusion. I like this novel because it drops you head first into a uniquely American Experience. Their Eyes Were Watching God moved me in a similar way. That novel is saturated in the Hurston's expert use of Black vernacular of the Florida muck. The rural farm experience ---while different between the two novels --- draw on parallel themes of poverty, Christianity, the role of neighbors and the neighborhood, and death. I look forward to going back to that novel, once completing As I Lay Dying and comparing notes on use of voice, imagery, literary devices, and setting.

Thanks for the encouraging words. Happy reading all.

Sunday, February 8, 2009

As I Lay Dying


The next novel in this project will be As I Lay Dying by Willaim Faulkener. I have picked up this novel at least twice, and made it through a couple of chapters. Faulkner completed the writing of this novel in 6-weeks, I can only hope to complete the reading of it, in as short of time. Faulkener's epic stream of conscience/multiple narrator style is the stuff of legends. His challenging writing style is equally loved and hated. I hope that my experience will be positive. Any guidance on how to enjoy Faulkner is welcomed.


Wuthering Heights - Final Thoughts & Conclusions

Last night, I completed Wuthering Heights, the first novel on my journey through the classics. On the whole, I enjoyed the dark but intriguing journey through the lives of Heathcliff, Catherine, Hindley, Edgar, Linton, Hareton, Isabella, Nelly, and brethren. The highlights from the novel stem from its equal blend of realism and romanticism, with a hint of super naturalism. Bronte does something interesting things with voice, and dialects, as well. Her wide and varied use of literary and biblical allusions throughout the novel proves that the successful writer will most often proves the prolific reader.

The destruction that prevails throughout the novel can prove depressing. Heathcliff aims to destroy and dominate everything around him. He is driven by revenge, bitterness, and ultimately the loss of love. Edgar is able to thrive off the love of young Cathy to reclaim a , an new incarnation of the joy the elder Catherine once gave him. Heathcliff, however, never learned to love his child and only related the most vainest affect to the son of his sworn enemy. Therefore, it is the burgeoning love between Hareton and Isabella, that eventually results in his downfall. Is his love for Catherine finally requited in the afterlife? Or do their souls simply rest in peace, a turn from the turbulence they shared in life.

Tuesday, February 3, 2009

A Classic to Read By - Kind of Blue/Miles Davis

Kind of Blue is a studio album by American jazz musician Miles Davis. This year marks the 50th anniversary of the classic jazz album. The album best known single is So What. Columbia catalog) has issued a 2-CD/1-DVD box compilation of the album's studio sessions. A classic jazz album and a classic book, like Wuthering Heights makes for a perfect evening.

Tuesday, January 27, 2009

John Updike dies, aged 76

American author, poet, literary and art critic John Updike died today at 76. The Pulitzer Prize-Winning author, wrote the classic Rabbit Series, which will be read and analyzed as part of this project.


We first meet Harry 'Rabbit' Angstrom in Rabbit, Run, as a boorish, unhappy former basketball jock who runs from (and to) his pregnant wife. The novels that follow cover 30 years and make up the great study of American manhood.

To learn more and hear the NPR remembrance click here.

Catherine Earnshaw: Lovelorn Victim or Manipulative Pre-Madonna

I am 13 chapters into Wuthering Heights. For those in need of refreshing, this is the part of the novel in which Catherine's life is beginning to derail (well at least that is her version of the story). Always the apt manipulator we find Catherine throwing the mother of all hissyfits. Under a self-imposed lock down and fast, she states, "If I were only sure it would kill him,' she interrupted, 'I'd kill myself directly! These three awful nights I've never closed my lids - and oh, I've been tormented! I've been haunted, Nelly! But I begin to fancy you don't like me. How strange! I thought, though everybody hated and despised each other, they could not avoid loving me. And they have all turned to enemies in a few hours: they have, I'm positive; the people here." Her selfishness boggles the mind.

It is very hard for the modern woman to sympathize with Catherine. If ever there were a legitimate polemic against the institute of marriage, it might be that people do it for the wrong reasons --for their own selfish desires. Catherine never acknowledges that she could be hurting her husband; it is all about her needs, wants, and desires.

The intricacies of marital bliss aside, the problem with Catherine is that she manipulative and spoiled. Any redemptive sympathy her character leverages might be seen in her romance with Heathcliff. However, Wuthering Heights is not a love story for the ages as it is often portrayed to be, thus far. Perhaps because I cannot see the appeal of the brooding impertinent Heathcliff, over her well meaning husband- Edgar. I am not suggesting that Heathcliff did not experience terrible abuse at the hands of Hindley -- enough to make anyone a little grouchy. Its just that I can symphonies with Hindley's feelings of rejection, after being usurp from his "rightful" place, as favorite son.

I enjoy Catherine's wild child frivolity. Yet like our new President quoted in his inaugural, there comes a time "to put away childish things ". As a married woman, it was time for Catherine to put away her childhood relationship with Heathcliff and grow-up. No fits of fancy, tantrums or complaining would change the outcome of her choices. Social climbing will give you money, but not necessarily happiness. However, we must applaud Brontë for developing a strong willed woman willing to go the distance for love, even if it is at the cost of all those around her.


Sunday, January 25, 2009

Wuthering Heights on Masterpiece Theatre

After last year's optimistic journey into the works of Jane Austen, Masterpiece Classic has taken a darker turn with its last two films. Tess of the d'Urbervilles and Wuthering Heights reflect the fear and anxiety that has been prevailing our evening news broadcast. The adaption is at best inspired by Emily Brontë novel, taking liberties with the story arc to get us through the basic narrative in about 4 hours. I decided to begin my literary project with Wuthering Heights, in part because I knew this was coming to air. Masterpiece Classic usually does not miss and this adaption is watchable -- though highly edited.

However, the intensity of the novel is done an injustice in film form. The appeal of Wuthering Heights is that is a Victorian novel that breaks Victorian convictions. Reading Austen, the characters are for the most part civil, appropriate, and aware of their social caste and the limitations it brings. While ambition is a central theme for both authors, Brontë is refreshing because she explores the dark passions that Austen only alludes to. Violence, desire, bitterness, and unrequited love are all in play. And this is a good thing.